⁣那个女孩是谁？
这些鞋子应该有内容警告。
这真是一种浪费。
米德尔顿初级中学，成立于1975年。1975年 我们不再是种族主义者了
新女孩，向世界问好。
来自《瑞克与莫蒂》的联合创作者。
当地一所初中的天空被撕开了。
妈妈!
上车！
不能再拖延了。
你爸爸是魔鬼，而你是反基督者!
我应该接受你和撒旦发生过性关系的事实吗？
或任何人？
请允许我介绍一下自己。来吧，亲爱的。
达米安神父。
哦，你是个女孩。
未来是女性的!
我这一生中你都在哪里？
形而上的境界。
它不是地狱，但它有精华。
嘿，各位。
这是我的女儿。吻她的屁股。
否则我将屠杀你的孩子。
为你感到骄傲。
我们约会的时候，你在别人的尸体里吗？
而你有一个未完成的海豚纹身。
她说：”不要做一个势利的人!
我撒谎是为了保护你。
她听起来像个婊子。我就是这么说的!
既然头是尾，就叫我路西法吧。
嘿，看看我。我是坏奶奶，是个小宝贝!
你对这个东西有什么看法？
圣经？ 还是媒体？
我喜欢事情的原貌!
把你的手从我女儿身上拿开。我们的女儿。
哦，太好了
我的父母在这里。
我现在是一只鸡。
这个聚会刚刚变得逊色。
如果我的父母出现在一个聚会上，也要把我杀了。
我很高兴见到你，希望你能猜到我的名字。 小妖精!

⁣执行制片人 Latoya Raveneau 称，她的团队已经实施了一个“公开同性恋项目”，并会经常在儿童节目中“加入酷儿元素”。


文本：


我喜欢迪士尼的内容。我是看着所有经典长大的。它们是我生活中获取知识的重要部分。但与此同时，我职业生涯的大部分时间都在小工作室里度过，我听到有人小声说：“他们不会让你把这个放到迪士尼的节目里。”我说：“好吧。”所以，开始的时候，我有点持怀疑 [SIC：怀疑]态度。但后来我的经历却莫名其妙地与我在我的小群体里听到的“荣耀家族 Disney TVA”截然相反。制片人非常开放。Meredith Roberts 和那边的领导对我的公开同性恋项目非常喜欢。所以我觉得，过去可能是那样的，但我猜发生了一些事情，致使他们扭转了局面并且正在努力。所有这些动力和那种感觉让我不害怕让这两个不同的角色在那样的背景下接吻。我基本上是在添加酷儿元素。如果你在节目中看到任何酷儿，没有人会阻止我，也没有人试图阻止我。

⁣迪士尼公司总裁 Karey Burke 称，他支持“在我们的故事中出现很多 LGBTQIA 角色”， 并希望至少 50% 的角色 是 LGBTQIA 和少数种族。

文本：

“实际上，我在这里是两个酷儿孩子的母亲，他们一个是跨性别儿童， 一个是泛性儿童，同时我也是一名领导者。”Burke 在视频中说。“这才是真正打动我的地方， 因为在过去的几周里，我从很多同事那里听到了 很多消息。”在开放的论坛中，以及通过电子邮件和电话交谈。我觉得我有责任 发声，不仅是为我自己，也是为他们。上周 20 号，我们举行了一个开放论坛， 论坛上再次提出了多年来大量优秀的开创性 LGBTQIA 故事， 我们的一位高管站起来说，“你们知道的，我们的内容中只有少数的同性恋主角，” 我说，“什么？这不可能是真的！”然后我意识到，“哦。这是真的。”我们的故事中有很多很多 LGBTQIA 角色， 但是，却没有足够的主角和故事， 让同性恋角色只是角色，而不是讲述同性恋故事。论坛让我 大开眼界。我可以告诉你，我觉得，如果不是这一刻发生了， 我作为领导者，和我的同事们就不会关注这一点。在 未来，我肯定会更加关注。我知道我们会的，我希望 这一刻我们取得了一半的胜利，抱歉流眼泪了， 我们只是不允许彼此倒退。

⁣
迪士尼的激进主义合伙人 Equality Florida（平等佛罗里达）的 Nadine Smith 告诉 LGBTQ 员工， @GovRonDeSantis 和 @ChristinaPushaw 想要“抹去你”，“将你的存在定罪”并“带走你的孩子”，这是共和党人想要绑架同性恋者孩子的疯狂阴谋论。


文本：


你可以看看评论，你可以看看新闻报道，但背景也是推动者，也是他们的记录，也是佛罗里达州的历史。你可以回到 50 年代的 Johns 委员会，立法机关在那里组建了一个工作组，其全部工作就是将民权工作者和任何同性恋者赶出大学。以及摧毁生命——毫不夸张地说，人们在遭受无情的攻击后选择自杀。然后是 Anita Bryant 和 Save our Children（拯救我们的孩子）运动的出现，这是以支持该法案的相同想法为前提。由于她的活动将同性恋等同于儿童猎手，她能够禁止同性恋者收养子女，结婚，并且她在全国范围内采取了这样的手段。当我们对此做出反应时，我们的反应来自于我们在学校被孤立和污名化所经历的痛苦。但他们可以抹杀你，将你的存在定罪，将你妖魔化，下一步就是将你定罪以及带走你的孩子，我们也将对这样的现实做出回应。我们已经在德克萨斯州看到了这样的情况。这些令人不快的信息之间的滑坡谬误来自我们州的立法领导人并被我们的州长放大，州长的发言人直接开始将所有反对这项法案的人称为“美容师”，也就是恋童癖者……

Categories:新闻

⁣迪士尼制作协调员 Allen March 称，他的团队致力于“探索酷儿故事”，并创建了一个“追踪系统”，以确保他们创造足够的“非常规性别角色”、“经典跨性别角色”和“经典双性恋角色”。
文本：
在过去的两年里，我有幸与 Moon Girl（月亮女孩）团队共事。他们对探索酷儿故事持非常开放的态度。我在制片部门工作，我觉得我可以投入的一部分工作是确保我们的故事发生在现代纽约，确保它准确反映纽约的情况。所以，我汇集了一个背景人物追踪系统，以确保我们有完整的表达。我们的对话非常相似，Karey。“我们的背景中有所有非常规性别角色。所以，我们关注的不仅仅是 LGBTQ+ 角色的数量。一个故事越是以角色为中心，你就越能深入了解他们的故事。这尤其适用于跨性别角色。你看不出一个人是不是跨性别者。看起来跨性别的方法不止一种。所以，要创造出这些经典的跨性别角色、经典的双性恋角色，唯一的办法就是为他们创作让他们能够完全做自己的故事。”

⁣Disney’s activism partner Nadine Smith of Equality Florida tells LGBTQ employees that
@GovRonDeSantis and @ChristinaPushaw want to “erase you, “criminalize your existence,” and “take your kids”—a wild conspiracy theory that Republicans want to kidnap gay people’s children.
TRANSCRIPT: You can look at the comments, you can look at the coverage, but the context is also who is pushing it, what their record is, and what the history is in Florida. You can go back to the 50’s and the Johns committee where the legislature put together a task force whose whole job was to root civil rights workers and any homosexuals out of the universities. And destroyed lives – literally people committed suicide behind the relentless attacked. And then you have Anita Bryant and the Save our Children campaign, which is premised on the are the same ideas that undergird this bill. And because of her campaign that equated being gay with being a child predator, she was able to ban gay people from being able to adopt, marriage ban, and she took that nationwide. And when we react to this, we’re reacting from the pain we experienced of being isolated and stigmatized in school. But we’re also reacting from the reality that when they can erase you and criminalize your existence and demonize who you are, the next step is to criminalize you and take your kids. We’re already seeing that in Texas. The slippery slope between these ugly messages emanating from legislative leaders in our state and amplified by our governor, whose spokesperson immediately began calling everyone who opposed this bill “Groomers” aka pedophiles…

⁣Executive Producer Latoya Raveneau says her team has implemented a “not-at-all-secret gay agenda” and is regularly “adding queerness” to children’s programming.
TRANSCRIPT:
I love Disney’s content. I grew up watching all of the classics. They have been a huge, informative part of my life. But the same time, I had worked at small studios for most of my career and I had heard whispers that “They won’t let you show this a Disney show.” And I’m like “Okay.” So, I was little sus [SIC: suspicious] when I started. But then my experience was bafflingly the opposite of what I had heard on my little pocket of Proud Family Disney TVA. The showrunners were super welcome. Meredith Roberts and the leadership over there have been so welcoming to my not-at-all-secret gay agenda. So I felt like maybe it was that in the past, but I guess something has happened, cause they have turned it around and are going hard. And all of that momentum and that sense that I don’t have to be afraid to have these two different characters kiss in the background. I was basically adding queerness. If you see anything queer in the show… no one would stop me, and no one was trying to stop me.

⁣Disney production coordinator Allen March says his team is committed to “exploring queer stories” and has created a “tracker” to make sure they are creating enough “gender nonconforming characters,” “canonical trans characters,” and “canonical bisexual characters.”
TRANSCRIPT:
I’ve had the privilege of working with the Moon Girl team for the last two years. They’ve been really open to exploring queer stories. I’m on the production side, and part of the work that I feel like I can put in is making sure that – we take place in modern-day New York, so making sure that that’s an accurate reflection of New York. So, I put together a tracker of our background characters to make sure that we have the full breadth of expression. We got into a very similar conversation, Karey. “All of our gender-nonconforming characters are in the background. So, it’s not just a numbers game of how many LGBTQ+ characters you have. The more centered a story is on a character, the more nuanced you get to get into their story. Especially with trans characters. You can’t see if someone is trans. There’s not one way to look trans. So, the only kind of way to have these canonical trans characters, canonical bisexual characters, is to give them stories where they can be their whole selves.”

⁣Disney corporate president Karey Burke says, he supports having “many, many, many
LGBTQIA characters in our stories” and wants a minimum of 50 percent of characters to be
LGBTQIA and racial minorities.
TRANSCRIPT:
“I’m here as a mother to two queer children actually, one transgender child and one pansexual
child, and also as a leader.” Burke said in the video. “That was the thing that really got me
because I have heard so much from so many of my colleagues over the course of the last couple
weeks.” In open forums, and through emails and Phone conversations. I feel a responsibility to
speak, not just for myself but for them. We had an open forum last week at 20 th where, again,
the home of really incredible groundbreaking LGBTQIA stories over the years, where one of our
execs stood up and said, “You know, we only had a handful of queer leads in our content,” and I
went, “what? That can’t be true!” And I realized, “Oh. It actually is true.” We have many, many,
many LGBTQIA characters in our stories and yet, we don’t have enough leads and narratives in
which gay characters just get to be characters and not have to be about gay stories. That’s been
very eye-opening for me. I can tell you, it’s something that I feel, perhaps had this moment not
happened, I as a leader and as well as my colleagues would not have focused on. Going
forward, I certainly will be more so. I know that we will be, and I hope this is a moment where
shot, the 50 percent – — the tears, sorry are coming — we just won’t allow each other to go
backwards.